Saturday, August 19, 2017

The "Get Back/Let It Be" Project January 27 1969

The Beatles gathered into Apple Studios on this day to continue their work on the project, all four Beatles; Billy Preston as well as George Martin and Glyn Johns were all present.
The day started with a bit of work on an untitled composition written by George Harrison which would evolve into "Old Brown Shoe". The song would remain un-revisited for the time being and the piano songs "Let It Be" and "The Long and Winding Road" are rehearsed.
The main focus of the day was the rehearsal and recording of the upcoming single "Get Back". There were various reels of recording tape used this day to record the song and one of the takes (27.63) was used for the commercial Apple 45 single - without the coda at this point. It was produced by George Martin and the credit was "The Beatles with Billy Preston" on the label once it was released.
Also on this day, a nice take of "Oh! Darling" with Billy Preston on Fender Rhodes Electric piano surfaced on the Apple 3LP/2CD "Anthology 3" which also features John Lennon's comment the Yoko getting her divorce from Tony Cox !!
During the afternoon, an improvisation of a Blues type number was played by The Beatles and eventually molded itself into the Jimmy McCracklin hit "The Walk" - this was recorded on tape and used on some vinyl bootlegs including the "Beatles: On File" bootleg.


Saturday, August 5, 2017

The "Get Back/Let It Be" Project January 26 1969

The Beatles were back at the Apple Studios on 3 Savile Row in London. George and Ringo were the first two Beatles to arrive and with George on acoustic and Ringo on piano, a bit of composing work was undertaken for the Ringo penned song "Octopus's Garden" which would feature later in the year. Paul, John and George Martin arrived as well as Billy Preston.
The rehearsals start with "Let it Be"- Paul on piano, John on bass, George on guitar, Billy on keys and Ringo on drums. The song leads into some jamming for the morning with a lot of improvisations and some oldies thrown in for good measure. The tape is rolling as the Beatles jam on the song "Dig It" with the longest version of the song at twelve and a half minutes and in mono captured on the vinyl bootleg "Dig it!". An edit of the performance down to four minutes was used for one of Glyn Johns "Get Back" LP tracklists. Finally, slightly less than a minute of this performance was used on the official Apple LP/CD "Let It Be" shortened by Phil Spector.
The Beatles continued to jam on oldies after this point which included a performance of "Rip It Up" and going into "Shake, Rattle and Roll". These performances can be heard in mono on such bootleg LPs such as "Singing the Blues" and "Celluloid Rock". They have been released commercially on the Apple 3-LP/2-CD "Anthology 3" project with the addition of another oldies performance from this day: "Blue Suede Shoes". The latter can also be found in mono on the bootleg LP: "File Under: The Beatles".
Another set of oldies from this day consists of the medley "Miss Ann/Kansas City/ Lawdy Miss Clawdy" and this can also be found on the bootleg LP: "File Under: The Beatles" as well as on the bootleg CD: "Turn Me on Dead Man: The John Barrett Tapes".
Finally, the song "You Really Got A Hold On Me" is attempted in a higher key than they originally played it, with John Lennon struggling on the lead vocal. This can be seen in the film "Let It Be". It can also be found on the bootleg LP "Singing The Blues" although the ending is faded out.
In the afternoon, there are attempts at both "Let It Be" and "The Long And Winding Road" (which is new to Billy Preston and he learns it on this day). The basic track for the commercial single comes from one of the performances of "Let It Be" and also appears on an early version of the Glyn Johns "Get Back" LP. It can be heard pre-overdub on the "WBCN" acetate and bootleg of the same name.
Finally, a version of "The Long And Winding Road" also appears on an early version of the Glyn Johns "Get Back" LP, the "WBCN" acetate and on the commercial Apple 3-LP/2-CD "Anthology 2" project.

Saturday, July 29, 2017

The "Get Back/Let It Be" Project January 25 1969

The Beatles entered Apple Studios with out Billy Preston on this day. Billy was busy taping a television show with Lulu so he was away for this day's session. The morning consisted of some acoustic work including the rehearsal of "Two Of Us" with some skiffle thrown in as well as a version of "Bye Bye Love" originally done by the Everly Brothers. Another interesting tune played on acoustics this particular morning was the McCartney original "I Lost My Little Girl" performed by John Lennon of all people !!
The afternoon consisted on rehearsals and taping for George Harrison's composition "For Your Blue". George is on acoustic, Paul on piano, John on slide and Ringo on drums. Take seven (with later vocal overdubs by George in January 1970) was used on both the bootleg of the second edition of Glyn John's "Get Back" LP ( pre-overdubbed vocals) and on the Apple LP/CD "Let It Be" and B-side to the "Long And Winding Road" (post-overdubbed vocals). The Apple 3-LP/2-CD would include the first take of "For You Blue" and finally the "Let It Be" film uses an edit of takes nine and six (pre-overdub)!!
Later in the afternoon and before the end of the session, The Beatles go through some takes of  "Let it Be" with Paul on piano, John on bass, George on electric guitar and Ringo on drums.One of the takes (without Billy Preston) was eventually released on the Apple 3-LP/2-CD "Anthology 3".
At the very end of the day, George plays a version of "Isn't It A Pity" for John. Unfortunately, no interest is shown for the song. It would eventually be released commercially on George's triple album "All Things Must Pass" in November 1970.

Friday, July 21, 2017

The "Get Back/Let It Be" Project January 24 1969

This day being mainly an acoustic session for the Beatles at Apple Studios in London with the absence of Billy Preston who was busy at a BBC television session for most of the morning. Both John and Paul took out the acoustic guitars and George would be playing the bass notes on electric Fender guitar. Take one of "Two Of Us" can be heard on the commercial recording of Apple's 3-LP/2-CD "Anthology 3". The take is marred by a bit of feedback from the open-holed guitars as well as a mistake going into the second middle eight part of the song. Another song recorded on the eight track tape this morning would be a McCartney tune entitled "Teddy Boy" which would end up on his first solo album but was considered for the "Get Back/Let It Be" project and played through on this day. There are amazingly three different mixes of this tune with one of them mixed by Glyn Johns lasting over five minutes, later in the evening at Olympic Studios in London, an edited mix for the "Let it Be" LP (never released) by Phil Spector at four and a half minutes, as well as the commercial release on the "Anthology" which includes segment from January 28 - to be discussed under that day.
The skiffle classic "Maggie May" was recorded in the morning as well with versions from the Glyn Johns proposed LP and ending up on the commercial Apple LP/CD "Let It Be" as well. The Spector mix has a wider stereo range and ends side one on the vinyl version.
In the afternoon after a break, The Beatles once again pick up the acoustics and another take of "Two of Us" can be heard on some bootlegs including the "WBCN acetate" vinyl and the CD "Celluloid Rock" with a false start added. At this point, a bit of a jam occurs with The Beatles jamming on the lyrics "Can You Dig It" for a while and concluded with the words: "Ark The Angels Come" which was used on all versions of the Glyn Johns proposed LP line ups as well as using the quote on the commercial Apple "Let It Be" LP/CD. Billy Preston arrived later in the afternoon and run throughs of "Get Back" are performed with some takes put down on eight track; unreleased.

Friday, July 7, 2017

The "Let It Be/Get Back" Project January 23 1969

As The Beatles met once again at Apple Studios in 3 Savile Row, London, the work for most of the day consisted on perfecting the song "Get Back". Billy Preston was also present and played a Fender Rhodes electric piano. One of the takes for "Get Back" was issued on bootleg including on the WBCN Acetate broadcast. The version heard is followed by a take of "I've Got A Feeling" and then The Beatles fooling around and adding a jokey take of "Help!".
All of these can be heard on the aforementioned WBCN Acetate as well as on bootlegs such as "Singing the Blues" and the bootleg CD "Celluloid Rock".

Saturday, June 24, 2017

The "Get Back/Let It Be" Project January 22 1969

And so it continues down on January 22 1969 at Apple Studios. The project started with a few takes of the Lennon composition "Dig A Pony" (or "I Dig A Poly" depending on what country you live in). Three takes were recorded and the first take would end up on the commercial Apple 3 LP/2 CD "Anthology 3" with the beginning pre-Spector editing that would occur later on the "Let It Be" Apple LP/CD. They also worked on Paul's "I've Got A Feeling" but nothing was recorded.
It was on this day after a lunch break that the great Billy Preston was invited down in the basement of the Savile Row building into Apple Studios. This added a different dimension and also diffused some of the natural tension of the project. One of the early things recorded when Billy joins in the project is contained on the first Glyn Johns mix entitled "Rocker"/"Save The Last Dance For Me"/ "Don't Let Me Down". The former being a Fats Domino composition followed by the The Drifters and finally the Lennon original. Bootleg LP/CD "Get Back" early mix compilations have this track edited.You can also hear this medley on the WBCN Acetate bootleg LP. Both versions of "Dig A Pony" (this time with Billy Preston) and "I've Got a Feeling" (also with Billy) appears on the bootleg Glyn Johns mix LP/CD and "I've Got A Feeling" also appears on the Apple 2-CD/3-LP "Anthology 3". A break ensues with The Beatles and Billy Preston listening to the playbacks in the control room.
After this break, they try "Don't Let Me Down" and "I've Got A Feeling" a few more times. One of the false starts appear on both mixes of the Glyn Johns mixes on bootleg. Interestingly, one of the studio visitors that way was the Beatles old Liverpool manager, Allan Williams..would have loved to be a fly on the wall for THAT one !!

Saturday, June 17, 2017

The "Get Back/Let It Be" Project January 21 1969

At this point in the month of January for the "Get Back/Let It Be" project, the venue for recording had changed in order (for one thing) to appease George Harrison who had decided to re-join the group at this point once the location of filming/recording convened at the new (for the time) Apple Studios at 3 Savile Row in London. At this time, there was no conclusion to the filming or recording planned although the time line was currently slated for the end of the month.
On January 20 1969, The Beatles arrived at Apple Studios but found that the recording equipment set up by their electronics "friend" Magic Alex was non-functional and a call was put in to EMI to bring in an eight track, desk, monitors, etc. This was all formalized by the next day. It would also mean that Ringo's drum kit would be recorded in stereo for the first time in the band's recorded tenure.
On January 21 1969, The Beatles got down to work by recording "I've Got A Feeling", "Shout!", "Don't Let Me Down" but mostly concentrated on the song "Dig A Pony". This is also the day where the introduction with Lennon's famous quote "I Dig a Pony by Charles Hawtrey and the Deaf-Aids...phase One, in check Doris gets her oats!". The quote can be heard as the very first thing on side one of the Apple LP/CD "Let It Be" just before the song "Two Of Us" kicks in.
Work continues with a nice take of "She Came In Through the Bathroom Window". This particular take can be heard on the Apple 3 LP/2 CD "Anthology 3".

Saturday, June 10, 2017

The "Get Back/Let It Be" project January 13/14 1969

Although George Harrison had decided to leave the band on January 10 1969, the remainder of the band continued on the process of recording and filming at Twickenham Studios in London for at least two days afterwards.
On January 13 1969, The Beatles and girlfriends (minus George) arrive at Twickenham Studios and produced minimal results. They end up basically having luch and then rehearsing a bit of "Get Back" before calling it quits.
On January 14 1969, most of the early session has John Lennon sitting in Twickenham Studios during a CBC interview with a reporter (some clips from the interview can be seen in the documentary "Imagine: John Lennon". During this time, both Paul and Ringo are at the grand piano pounding away Jerry Lee style and this is capture on film and can be seen in the "Let It Be" film. Once the CBC interview is over, the three Beatles sit around and improvise on some titles such as: "Mean Mister Mustard" and "Watching Rainbows" among others. The cameras present caught some of the set being dismantled at the end of the day and it was decided to leave Twickenham and move to Apple Studios in order to appease George Harrison who would return to the band under this condition.

Saturday, June 3, 2017

The "Get Back/Let It Be" Project January 10 1969

January 10 1969 was the last day that all four Beatles would be present at Twickenham Studios in London in order to continue on the "Get Back" project with rehearsals of two McCartney songs: "Get Back" and what was assumed to be the first song of a live set "Two of Us". Beatles' music publishing and majority owner of "Northern Songs Ltd" visited the set in the morning as well.
Things got heated later in the day between John and George (not Paul and George) as some books have indicated - the "I'll play whatever you want me to play" scene from the "Let It Be" film was taken from January 06 1969 and not on this day the 10th.
It must have been pretty heated as this was the rehearsal session which saw George Harrison leave the site and return home; essentially quitting the band. He was the second to quit after Ringo had left during the White Album sessions a year earlier but eventually returning. Same would happen with George.
There is some footage of the remaining Beatles jamming with Yoko from later in the day as well. There is an attempt to continue rehearsing with some tunes such as "Maxwell's Silver Hammer" and "Don't Let Me Down" being performed but all of this is of no use at the moment. The session ends with discussion and review of the day between the band members and the director of the television/movie special. Nothing from this day appears in the final cut of the film.

Saturday, May 27, 2017

The "Get Back/Let It Be" project January 09 1969

On January 09 1969, Paul McCartney arrived a little earlier than the others in the band in order to review some of his latest compositions while sitting at the piano - some of the titles include "The Long And Winding Road", "Oh! Darling", "Let It Be", "Another Day", etc. Also on this day, George Harrison arrived with a new composition to demo for the band based on a twelve bar blues and eventually becoming "For You Blue".
Once the group have arrived and are ready to rehearse, some of the songs performed include "She Came in Through The Bathroom Window", "One After 909", "Across the Universe", "Two Of Us", "Don't Let Me Down" and "I've Got A Feeling".
Apart from the Beatles jamming around with George's new blues tune, also improvised is a made up jam eventually entitled "Suzy Parker"; the genesis of another improvisation materializes into the chords for "Get Back" and another improvisation titled on bootlegs as "Commonwealth/Get Off." Some bootlegs from this day also contain improvisations of "House of The Rising Sun" and "Tennesee".
Bits and piece from this day's rehearsal session can be seen in the "Let It Be" finished film including "Suzy Parker", "Two of Us", "One After 909".

Saturday, May 20, 2017

The "Get Back/Let It Be" Project January 08 1969

The Beatles gathered at Twickenham studios in London to continue filming and recording sessions for their upcoming live project. In fact, some locations were discussed for the live show but it seems that nothing came from the conversations and no decision for a location was confirmed at this point.
George Harrison showed Ringo and his mates a new composition at the time entitled "I Me Mine" of which a portion can be seen in the "Let It Be" film. Other songs that were rehearsed on this day include "Don't Let Me Down", "Two Of Us", "One After 909" and "I've Got A Feeling", "All Things Must Pass" and "She Came in Through The Bathroom Window".
Later during the day, The Beatles run through "Maxwell's Silver Hammer" and proceed to clean up and tighten up George's new "I Me Mine" tune. In the "Let It Be" film, you can see the group going over the song minus John and Yoko who are mock waltzing in front of the band. The quote by John "The Queen Says "No" to Pot Smoking FBI Member" which can be seen in the film and heard on the "Let It Be" commercial Apple LP/CD is taken from this day as well.

Saturday, May 13, 2017

The "Get Back/Let It Be" project January 07 1969

Rehearsals for the upcoming live show (at this point) resumed at the Twickenham Film Studios in London by the Beatles on January 07 1969. The day started with some discussion as to the location of the upcoming show and it was decided that it be held in England although no central location was decided upon.
A couple of Paul's songs were rehearsed in the morning including "I've Got A Feeling" and a recent composition entitled "Maxwell's Silver Hammer". Paul showed off the chords to the rest of the band as he sat at the piano.
A couple of John's songs were rehearsed in the afternoon including the resurrection of "Across The Universe" as well as "Dig A Pony" and "Don't Let Me Down". You can see some of the footage from this day in the final "Let It Be" movie with Paul showing the band how to play "Maxwell's Silver Hammer" as well as John going over both "Across The Universe" (with nice harmonies by Paul) and some of "Dig A Pony" from this particular day.

Saturday, May 6, 2017

The "Get Back/Let It Be" project January 06 1969

After a couple of days break, The Beatles would return to Twickenham Studios to continue recording and filming for the project. One of the song tackled in the morning was a new George Harrison composition "Hear Me Lord" that was written over the previous week-end. This composition wasn't chosen for consideration although George would later record it for his triple LP "All Things Must Pass".
A variety of tunes are rehearsed on this day including "Don't Let Me Down" with footage used for the final film as they try various vocal harmonies. Also "Two Of Us" was worked on as well. Another piece of footage from this session appears in the final "Let It Be" film where George and Paul clash with each other and contains George's famous quote "I'll play if you want me to play...".  Other footage from this day includes Paul's brief appearance at the piano singing "Oh! Darling" at this early stage.
Two more songs are rehearsed from this day include (oddly enough) George's composition "All Things Must Pass" and Paul's "She Came In through The Bathroom Window". Both of these songs would not make the final line up for "Let It Be" but the latter would appear on the next LP and George would use his composition as a title track for his solo triple LP.

Monday, April 17, 2017

The "Get Back/Let It Be" Project January 3 1969

As the day began at Twickenham Film Studios in London, The Beatles continued work on their new project with Paul beginning the morning playing some piano improvisations until the others arrived. The main focus of the morning once everything got started was John's "Don't Let Me Down" and Paul's "I've Got A Feeling" and a bit of work going through "Two of Us" as well before a break.
In the afternoon, most of the focus for the band was running through the George composition "All Things Must Pass" which would not feature on a Beatles' LP but was obviously the title track recorded for George's solo album almost two years later. A new Paul composition "Maxwell's Silver Hammer" was also begun with Paul teaching the band the chords for the new song.
Some of Paul's improve on the piano and some of Paul showing the chords to the band for "Maxwell's Silver Hammer" can be seen in the "Let It Be" film.

Sunday, April 9, 2017

The "Get Back/Let It Be" Project January 02 1969

The month of January 1969 was put aside for a new Beatles project. The plan was to record an upcoming live show and to film the rehearsals leading up to this show. In the meantime, it seems that new songs had been written and the rehearsals eventually led up to songs for a new LP.
The venue for filming consisted of a hangar at Twickenham Film Studios in London, England. The start of the project was January 02 1969 and the filming was directed by Michael Lindsay-Hogg and the sound would be engineered by Glyn Johns although George Martin would be present certain times during the month to review the audio.
Visual footage from this first day can be seen in the (still unreleased) "Let It Be" movie where there is a scene of Mal Evans setting up the equipment. The song that were worked on include "Two Of Us", "Don't Let Me Down" and "I've Got a Feeling".

Saturday, April 1, 2017

The "Is This What You Want" Sessions

In mid October to the end of the year 1968, George Harrison participated in the recording sessions for the Jackie Lomax LP "Is this What You Want" for Apple records. George, Jackie and Mal Evans traveled to Los Angeles to work at Sound Records in L.A. to produce the sessions. We have George on guitar as well as some of the "wrecking crew" recording personnel such as Larry Knechtel on keys and Hal Blaine on drums with Joe Osborne on bass. Three tunes containing the aforementioned line up included "Take My Word", the title track and "Speak To Me". Orchestral strings were added at the end of that month.
Fast forward to December 1968 and we see some of the session continue with the musicians consisting of Eric Clapton, George and Ringo producing the song "You've Got Me Thinking" as well as the addition of horns for various tunes from the LP.
Also in mid December 1968, John and Yoko are filmed sitting on a bench at Coventry Cathedral dressed all in black with John strumming his acoustic guitar and singing his latest composition "Everybody Had A Hard Year" which of course would develop into the addition to Paul's "I've Got A Feeling" for the Get Back/Let It Be sessions the following month.


Sunday, March 19, 2017

The Dirty Mac Sessions

On December 10 1968, a link before the performance of the "Dirty Mac" band (with John Lennon on vocal/guitar, Eric Clapton on guitar, Keith Richards on bass and Mitch Mitchell on drums) was recorded. The link to the performance includes John sitting on a high bench with Mick Jagger and both introducing the "Dirty Mac" and the song "Yer Blues" (from the current LP "The White Album" as it was known). Both have a deadpan mocking voice calling each other "Winston" and "Michael".
The performance itself was recorded specially for the Rolling Stones' "Rock And Roll Circus" television special. The band was warming up on the afternoon of December 11 1968 when a blues jam was captured on tape. The blues jam can be found on the vinyl LP "The Lost Lennon Tapes Volume Eight" in mono.
As far as the song "Yer Blues" is concerned, there are two takes available from the camera tapes (nagra tapes) and one take available from the four-track audio tape. Take one from the camera tapes can be found on the vinyl bootleg LP "The Lost Lennon Tapes Volume Thirteen". Take two from the camera tapes can be found on the vinyl bootleg LP "The Lost Lennon Tapes Volume Eighteen".
If you are looking for the stereo version of take three of "Yer Blues" from the four-track tape you can find it on an old bootleg LP "Not for Sale".
There is an addition to "Yer Blues" when Yoko steps up to the mic with the encouragement from John and adds her vocals to a jam that the band are performing. This has been released under two names: "Her Blues" or "Whole Lotta Yoko". This masterpiece can be found on the bootleg LP "The Lost Lennon Tapes Volume Eight" as well.
Finally, both "Yer Blues" and "Whole Lotta Yoko" along with the introduction/link were released commercially in 1996 on the video tape/CD "Rock And Roll Circus".

Sunday, March 12, 2017

December 1968 Lennon Demos

While Paul was working on the "Postcard" LP by Mary Hopkin for Apple Records, John Lennon was busy during the month of December 1968 working on some new songs
Most of the performances were conducted at his home (still) in Kenwood. The Beatles had agreed to meet in the New Year and start rehearsing for some kind of television special so some new songs might be in order.
We hear two versions of "Oh, My Love"; these are very John/Yoko centric and would evolve to the same title with changes for the eventual 1971 Lennon solo LP "Imagine".
We also get to hear the song "A Case Of The Blues" which is demoed during the month and you can hear some snippets of this tune during the "Get Back" rehearsals the following month but it was never properly recorded or released as a Beatles tune.
There is a demo of "Everyone Had a Hard Year". This riff and repetition would be added to Paul's number "I've Got A Feeling" as the Beatles would meet in a few weeks in January 1969 at Twickenham studio to start rehearsals for the television special.
Finally, two nice takes of "Don't Let Me Down" (very unfinished) have surfaced from these demos.
The tunes can be found on various "Lost Lennon Tapes" LP bootlegs. All of them can be heard on the bootleg CD "The 1968 Demos" and the "Oh My Love" outtakes can also be heard on the bootleg CD "Imagine...All the Outtakes".

Friday, March 3, 2017

The "Post Card" Sessions

At the end of the year 1968 during the months of November and December, Paul McCartney was busy at Trident Studios/ EMI Studios (mainly Trident) completing an LP with Apple artist Mary Hopkin. He is listed as the producer.
Paul also plays on the LP (of course) with the following instruments: Tambourine on "The Honeymoon Song" which was also performed by The Beatles on the BBC; "Happiness Runs" written by Donovan and featuring Mary Hopkin on the acoustic and Paul on bass; both Paul and Donovan play their acoustic guitars for the songs "Voyage of the Moon" and "Lord of the Reedy River". Another track, "The Puppy Song" written by Harry Nilsson has Paul playing piano.
"Love Is the Sweetest Thing" features Paul on the acoustic guitar alongside the band. Paul also plays acoustic on "Lullaby of the Leaves". Finally, Paul plays acoustic guitar, bass and drums on "Prince En Avignon".
All of these tunes can be found on the Apple LP/CD "Postcard" by Mary Hopkin.

Saturday, February 18, 2017

The Beatles' Sixth Christmas Record

Usually the Beatles would be together in the studio to record their annual Christmas flexi discs for the Fan Club but this would be the first time that the Christmas messages would be recorded separately. Most of the tapes were probably recorded in early November 1968. The tapes would be co-ordinated by a radio DJ Kenny Everett and edited and presented as a whole piece.The recordings were produced as follows: Ringo's contribution was from his home; Paul's contribution was probably recorded at Trident Studios in London where he was working the Mary Hopkin LP for Apple; John and Yoko recorded their contribution at John's Kenwood attic studio and George recorded his contribution at Nat Weiss's apartment with Tiny Tim at the end of November.
The flexi disc starts with Ringo's greeting, Paul's ditty about the old and new year and then John and Yoko's poem "Jock and Yono" with Yoko playing piano and John reciting the poem. George then gives a greeting along with Mal Evans who also greets the fans. It's back to Ringo for an introduction to Paul's acoustic/vocal contribution and then back to John for his second poem entitled "Once Upon A Pool Table" with some eerie effects on his voice. Finally, we go back to George who introduces Tiny Tim who plays his version of "Nowhere Man" and is thanked by George. An orchestra IV-I outtro  and the final drumbeat of "Happiness Is A Warm Gun" completes the disc.
Interestingly, there are two unedited versions of the John and Yoko poems which were aired on the "Lost Lennon Tapes" and can be found on the bootleg CD "The Ultimate Beatles Christmas Collection".

Saturday, February 11, 2017

Life With The Lions Project

Between November 4 and November 25 1968, Yoko Ono and John Lennon were at the Queen Charlotte Maternity Hospital in London, UK due to complications whereby Yoko would require an emergency blood transfusion. The couple were holed up in a hospital room for three weeks where unfortunately, Yoko had a miscarriage.
During this time, John had brought his acoustic guitar and recorded some material for an upcoming John/Yoko experimental event. Included in the collection is "No Bed For Beatle John" with Yoko reciting newpaper headlines and articles relating to recent Beatle activities.This would appear on the John/Yoko LP "Life With the Lions" opening side two. This is followed by a baby's hearbeat and then two minutes of silence. Finally, the last track  "Radio Play" is a radio dial being "played" by John whereby he would turn the dial and get a millisecond of sound from the radio - back and forth.
A medley of songs was also recorded for a flexi disc issued with "Aspen" magazine #7 including the titles : "Song for John/Let's go On Flying/ Snow is Falling All The Time/ Mummy's Only Looking For her Hand In the Snow". There is also a John and Yoko duet guitar/voice rendition of  "Don't Worry Kyoko" as a bonus track on the CD "Wedding Album" version recorded during this time. Also included as a bonus track on the CD "Wedding Album" is another piece from this time frame entitled "Mulberry" consisting of Yoko mouthing the words in her various styles while John plucks at a guitar.

Saturday, February 4, 2017

The Paul/Donovan Tape

At the end of November (probably the 22nd) 1968, both Paul McCartney and Donovan appeared at Trident Studio in London to work on Apple artist Mary Hopkin's LP eventually entitled "Postcard". The reason for the session seems to be that they were looking to cover an original song written by either of them in recent times.
Paul McCartney and Donovan both are playing together on acoustic guitars. Paul sings a song entitled "How Do You Do" which remains unreleased in commercial form. Paul also performs the current "Blackbird" for Donovan with Mary Hopkin joining in here and there. A third "Paul" song is introduced as "Heather" which is a musical nursery type song probably played to Linda's daughter for her entertainment.
Donovan plays "The Unicorn" which sounds like it's a very recent idea of a song. He also plays his current US single "Lalena" for Paul. Donovan completes the titles with three children's songs entitled "Mr. Wind", "The Walrus and The Carpenter" and finally "Land of Gisch".
As a side note, Mary Hopkin covered some tunes featuring both Paul and Donovan on acoustic guitars notably "Voyage of the Moon" and "Lord of The Reedy River" and the Donovan composition "Happiness Runs".
All of these acoustic tunes can be found on the vinyl bootleg "No.3 Abbey Road NW 8" although ironically none of it was recorded there, but at Trident.

Saturday, January 28, 2017

" I Will" (Ballad)

On September 16 1968, work began at EMI Studio2 to complete a basic track for a new Paul McCartney composition entitled "I Will". It was also known very briefly as "Ballad". The song was written earlier in the Spring while The Beatles were in India. Paul plays acoustic guitar while John and Ringo play various percussion instruments.
You can hear take 1 with an edit of takes 34 and 35 of the song commercially released on the Apple 3-LP/2-CD "Anthology 3" project. This version is great with the exception of a few lyric changes. Also interesting is Paul's improvisations during these sessions. During take 19, for example, one of the improvisations include the snippet of "Can You Take Me Back" which would wind up on the new LP as a fragment before "Revolution 9".
The band is in an improvisational mood as well during take 30 and you can hear Paul singing a tune about the city of Havana for what is now entitled "Down In Havana".
During takes 34 to 36, you can hear Paul covering one of his recent compositions, a tune written for Cilla Black entitled "Step Inside Love" and eventually into another improvisation entitled "Los Paranoias" which is probably an inside joke as the band utilizes their percussion/acoustic guitar instrumentation to full use including a somewhat samba beat. Finally, during take 36 you can hear Paul covering the song "The Way You Look Tonight" somewhat mixed in with an attempt at "I Will".
The take selected for the commercial release was take 65, taken from a four track machine and copied to an eight track machine and re-named take 68.
The following evening on September 17 1968, Paul overdubbed another acoustic guitar, a second vocal, a mouthed bass and maracas. The song was mixed for mono on September 26 1968 and stereo on October 14 1968. The mono mix has the mouthed bass starting later in the song than the stereo mix.
The outtakes/ improvisations can be heard on various bootlegs including the CD versions of "Turn Me On Dead Man", "The John Barrett Tapes","Down In Havana" and "Mythology Volume 3",

Saturday, January 21, 2017

The Peter Sellers Tape

In late August of  1968, Ringo Starr was busy at home compiling a cassette tape of the upcoming new Beatles' songs up to that point for his friend Peter Sellers. Ringo was scheduled to appear in a movie with Peter Sellers eventually released as "The Magic Christian" whereby Ringo plays the son of the title character played by Sellers.One of the connections with Peter Sellers is that George Martin (The Beatles' producer) recorded Sellers during the late 50s/early 60s for his comedy records and released by EMI at the time.
The duration of the tape is approximately 60 minutes and contains recent "White Album" recordings started back in May of 1968. Some of the tunes have early mono mixes and they are as yet incomplete so you get various edits that would be changed before the final mixes were authorized for disc which is why this tape is so interesting.
Side one opens with "Back In The USSR", "Rocky Raccon", "Wild Honey Pie", "Mother Nature's Son", "Sexy Sadie", "Don't Pass Me By" and ends with applause and Ringo announcing - "What A Show! Bravo! More !, etc". You can hear Ringo instruct Mr. Sellers to turn over the tape for more crazy music !!
Side two opens with some exotic music and noises made up by Ringo until we hear "Yer Blues" followed by "Good Night", "Everybody's Got Something To Hide Except Me and My Monkey", "Ob-La-Di, Ob-La-Da", "Blackbird" and "Not Guilty". All of this is in mono.
Some of this material can be heard on the CD "Unsurpassed Masters, Volume 4" as well as "The Peter Sellers Tape". An excellent vinyl bootleg including the entire tape in order can be heard on the title "How Pink Is Your Panther?".

Saturday, January 14, 2017

"Dear Prudence" Mixes

"Dear Prudence" was a John Lennon composition written about Mia Farrow's sister, who was constantly meditating in India during the Beatles' 1968 spring visit in that area of the world.
On August 29 1968, The Beatles entered Trident Studios in London to record the song. The studio had an eight track machine at the ready whereby EMI Studios still relied on four track for the moment. After 14 hours of work, take 1 was used for the basic track and all other instruments and voices could be added without any reductions in tracks. Ringo was absent for this session and it was Paul McCartney who handled the drums on this track as well as adding backing vocals and percussion. John and George handled the electric guitars while Paul played piano and backing vocals were done with all involved including a visiting Jackie Lomax (Apple artist) and roadie Mal Evans amongst others. Bass guitar by Paul was also overdubbed on to take 1.
The next day August 30 1968, mono and stereo mixes were created at Trident Studios. There are two alternate mono mixes that have seen the light of day and are available on bootleg. The first alternate mix may have come from John Lennon's collection as this was aired on the radio series "The Lost Lennon Tapes" in the late 1980's/early 1990's. The mix contains a round of applause at the end of the song along with John Lennon asking "Should I Just Do The Last Verse?", a blast of a horn and a drum roll. It can be found on the vinyl bootleg "The Lost Lennon Tapes, Volume Six" as well as a bonus track on the Retro-man version of a bootleg CD entitled "Gone Tomorrow, Here Today".
The second alternate mix of "Dear Prudence" has some extra bass guitar notes occurring during the opening verse and the last verse of the song. There is also a round of applause contained at the end and the extension of the tune includes the horn blast, drum roll, some extra guitar and a voice saying "OK. Rolling". This version is contained within the Midnight Beat version of a bootleg CD entitled "Gone Tomorrow, Here Today" (an earlier version of the above) as well as being available on the bootleg CD "Mythology, Volume 3".
The commercial mixes for the "White Album" were completed at EMI Studios on October 13 1968. The vocals on the song have less reverb (drier) than the alternate mixes listed above.

Friday, January 6, 2017

"What's The New Mary Jane" Session and Mixes

On August 14 1968, John, George, Yoko and Mal Evans were present at EMI Studio 2 and were feeling a bit out of their heads as John would later say. It was decided to record a new composition by John entitled "What's The New Mary Jane". John was playing piano and vocals while George would strum the guitar.
The fourth take would last over six minutes long - the main body of the song is only two minutes and the rest of the tune consists of experimental noises by all involved. The piano and guitar were doubled and a second vocal was added to the first part of the song; the second part of the song includes percussion like rachets, handbells, cowbell, tambourine, drums, etc.) as well as Yoko's wailing. The song ends with the John Lennon statement "Let's hear it before we get taken away"!
A stereo mix of the song let's us hear the first two minutes including three verses and choruses, Yoko joins in with the addition of an accordian and piano (with someone just playing the strings of the piano), some slide whistle is also added before the percussion and chaos continues.
On September 25, 1968 two mono mixes and two stereo mixes were completed and the song was edited down to just over three minutes. One of these mixes can be heard on a very early vinyl bootleg entitled "Mary Jane" and on "Spicy Beatles Songs" (in mono).
Of course, the song never made it to the new LP but it re-surfaced later in the next year when John thought he may use the tune as a Plastic Ono Band single. Fresh stereo mixes were completed and a stereo mix from November 26 1969 is used on the 12 inch vinyl bootleg: "What A Shame Mary Jane Had A Pain At The Party".
Finally, circa 1984, a stereo mix was created by Geoff Emerick using the original tapes and going back to the original length of six minutes. The mix remained slated for release on the cancelled "Sessions" commercial LP but ended up on the Apple 3-LP/2-CD "Anthology 3" project.
https://www.youtube.com/watch?v=bQenMbs_v5s