Saturday, August 5, 2017

The "Get Back/Let It Be" Project January 26 1969

The Beatles were back at the Apple Studios on 3 Savile Row in London. George and Ringo were the first two Beatles to arrive and with George on acoustic and Ringo on piano, a bit of composing work was undertaken for the Ringo penned song "Octopus's Garden" which would feature later in the year. Paul, John and George Martin arrived as well as Billy Preston.
The rehearsals start with "Let it Be"- Paul on piano, John on bass, George on guitar, Billy on keys and Ringo on drums. The song leads into some jamming for the morning with a lot of improvisations and some oldies thrown in for good measure. The tape is rolling as the Beatles jam on the song "Dig It" with the longest version of the song at twelve and a half minutes and in mono captured on the vinyl bootleg "Dig it!". An edit of the performance down to four minutes was used for one of Glyn Johns "Get Back" LP tracklists. Finally, slightly less than a minute of this performance was used on the official Apple LP/CD "Let It Be" shortened by Phil Spector.
The Beatles continued to jam on oldies after this point which included a performance of "Rip It Up" and going into "Shake, Rattle and Roll". These performances can be heard in mono on such bootleg LPs such as "Singing the Blues" and "Celluloid Rock". They have been released commercially on the Apple 3-LP/2-CD "Anthology 3" project with the addition of another oldies performance from this day: "Blue Suede Shoes". The latter can also be found in mono on the bootleg LP: "File Under: The Beatles".
Another set of oldies from this day consists of the medley "Miss Ann/Kansas City/ Lawdy Miss Clawdy" and this can also be found on the bootleg LP: "File Under: The Beatles" as well as on the bootleg CD: "Turn Me on Dead Man: The John Barrett Tapes".
Finally, the song "You Really Got A Hold On Me" is attempted in a higher key than they originally played it, with John Lennon struggling on the lead vocal. This can be seen in the film "Let It Be". It can also be found on the bootleg LP "Singing The Blues" although the ending is faded out.
In the afternoon, there are attempts at both "Let It Be" and "The Long And Winding Road" (which is new to Billy Preston and he learns it on this day). The basic track for the commercial single comes from one of the performances of "Let It Be" and also appears on an early version of the Glyn Johns "Get Back" LP. It can be heard pre-overdub on the "WBCN" acetate and bootleg of the same name.
Finally, a version of "The Long And Winding Road" also appears on an early version of the Glyn Johns "Get Back" LP, the "WBCN" acetate and on the commercial Apple 3-LP/2-CD "Anthology 2" project.

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