"Penny Lane" and the addition of Woodwinds/Brass.

On January 12 1967, The Beatles entered studio 3 at EMI Studios in order to add extra instruments in the creation Paul's "Penny Lane" masterpiece. McCartney decided it would suit the song to have some extra sounds on it and so it was that this afternoon/evening session saw additional outside musicians perform at Studio 3 (the smaller one).
The instruments used for the solo part of the song consisted of having trumpets in the choruses, two oboes and two cor anglais used during the solo gap and at the last chorus as well. A double bass was also added on to the last verse of the song. All of the woodwinds/brass overdubs were added to track 2 of the four track recording.
At the end of the session, the song was mixed for mono and entitled RM8 (remix 8). This includes the overdubs explained above and it is before the Bach trumpet was added days later.
This version of the song can be found on some bootleg CDs including the title "Turn Me On, Dead Man: The John Barrett Tapes".
I've included this mix version from the "youtube" site for your listening pleasure.
https://www.youtube.com/watch?v=8K1EPpHsq0s

"Penny Lane" Overdub Tape

On January 09 1967, The Beatles were in the studio to lay overdubs by flutes, trumpets, piccolos and a flugelhorn for the addition to the "Penny Lane" completed tracks. The main basic track as well as various vocals and instruments played by the band were already in place by this session.
It seems that John Lennon decided to tape a part of the overdub session and occasionally adding some effects to the sound, although the reason for this is unknown.
Hearing it this way shows how The Beach Boys' "God Only Knows" could have been a major influence on "Penny Lane" for McCartney as there are similarities to my ears. Especially the isolation of the piano and the flutes. The musicians are conducted by George Martin in Studio 2 at EMI.
This tape has been bootlegged on vinyl as "Arrive Without Travelling" and later on compact disc as "Arrive Without Aging". The tape is also available on the CD "The Lost Pepperland Reel" and on youtube as demonstrated below for your listening pleasure.
https://www.youtube.com/watch?v=17BmJHUECFU

Strawberry Fields Forever - Take 26 and RM9

A week after the recording of Take 25, on December 15 1966, The Beatles gathered into EMI Studio 2 in London for more work on the song "Strawberry Fields Forever". This time take 25 ( the heavy strings and cello version) was reduced from four tracks to two tracks. This would leave another two tracks to work on since at this time The Beatles still worked with four track mixing !!
On the third track we hear Lennon's vocals along with the addition of George Harrison playing the decending Svaramandal Indian instrument. There is also a mellotron loop of what sounds like backwards flute at the end of the song where Ringo's mad drumming is during the coda. Acetates of the work in progress were made and given to the members of the band at this session as well.
Probably the best way to hear this amazing take/mono mix is on the bootleg CD "Turn Me On, Dead Man" (the John Barrett tapes). I've added an audio sample of the mix via the youtube site:
https://www.youtube.com/watch?v=hVM0WE5Fis0

Strawberry Fields Forver - take 25 and Editing

On December 08 1966, it was decided that the song needed to go into another direction - most likely from it's composer's point of view and so a score was written by George Martin for brass and strings. The song was sped up and various percussion instruments added as well by Ringo and the rest of the band. The editing of takes 15 and take 24 were completed on this occasion including the "cranberry sauce" quote used at the end by John who also tells Ringo to "calm down" on the drums.
Some of this recording can be heard on the commercial Apple 2-CD/3-LP "Anthology 2" set. I've included the take 25 link as well.
https://www.youtube.com/watch?v=QacJBCcf1Kg

Christmas Messages for Radio 1966

On December 06 1966, during the sessions for the upcoming as yet untitled LP, The Beatles started working on a new McCartney song entitled "When I'm Sixty Four" which was an early composition written mainly by Paul but with a middle section about grand kids added by John. The very basic track of piano, bass, drums and some lead guitar at the end was attempted and left. Nothing from the very basic track and this date has been released in any form so far.
The other task for the session in EMI Studio 2 was to record some upcoming Christmas messages for the fans and to send these messages to the various off short/ alternate radio stations such as Radio Caroline and Radio Scotland in and around the UK island.
A three minute recording of the original session tape is available via youtube as well as on the bootleg CD "The Seven Years of Christmas". These messages have each individual Beatle sending a greeting backed by either a mellotron or a piano in the studio.  There are several "takes" or attempts at the greetings with some of them in various accents.
Four of the spoken word items ( one for each Beatle ) was eventually overdubbed onto an outtake of the 1967 "Christmas Time Is Here Again" tune and used on the 1995 EMI vinyl single/ CD single "Free As A Bird" and is available commercially.
https://www.youtube.com/watch?v=R9371-RJ7XA

"Strawberry Fields Forever" Takes 5,6 and 7

On November 29 1966, The Beatles once again entered Studio two in order to once again attempt a better recording performance for the new Lennon song: "Strawberry Fields Forever".
Take 5 starts with Paul's introduction at the mellotron but this doesn't last very long as he doesn't end up playing it very well and the false start is aborted.
Take 6 is great with the introduction we all know and love, great drums from Ringo, guitar from George and vocals from John. The entire song is played through with an extend ending similar to a King Crimson sounding coda, especially the flute sounds and guitar. You can also hear remnants of previous attempts/performances of the basic track.
Finally, take 7 is a tape reduction of take 6 with some added bass guitar by Paul and effects (ADT) added to John Lennon's vocal.  The Beatles were supposedly given acetates of the results to take home and ponder the performance.
These studio takes can be heard on various vinyl and CD bootlegs: the vinyl bootleg "Ultra Rare Trax, Volume 5 and 6" and the CD equivalent "Unsurpassed Masters, Volume 3" also has these takes.
I've also included a youtube posting:
https://www.youtube.com/watch?v=ssJ-E7mTF98

"Strawberry Fields Forever" Takes 2,3 and 4.

On November 28 1966, The Beatles entered EMI Studio 2 with their producer George Martin in order to continue work on the new Lennon penned song "Strawberry Fields Forever". Since take 1 was not used nor released at the time, this was an attempt at a rhythm track in order to lay overdubs. Take 2 consists of the famous mellotron with flute setting introduction played by Paul, maracas by John, guitar by George and drums by Ringo.
Take 2 is a fairly completed take and almost makes it all the way through although you can hear various small mistakes on the keyboard (mellotron) and a bit of glitches with the guitar. Ringo is perfect as usual.
Take 3 is basically just the introduction on the mellotron before John interrupts with the statement of this being too loud !!
Take 4 is another attempt at a rhythm track and this time John adds his vocal and there is also a bass part added by Paul. Probably the best place to hear this material is from the CD "Unsurpassed Masters Vol. 3".
https://www.youtube.com/watch?v=UFjNYmK-uOI